Devonshire Park Haunted Theater: The Ghostly Fiddler of Eastbourne

Devonshire Park Haunted Theater: The Ghostly Fiddler of Eastbourne
10 June 2026 J.W.H

Do any of the musicians from Titanic haunt the Devonshire Park Theater in Eastbourne, England? Who is the person behind the ghost who is said to still play the violin?

In the seaside town of Eastbourne, the Devonshire Park Theater is one of the most elegant Victorian theaters in England.

Since its grand opening in 1884, the theater has hosted countless performers, audiences and countless stories on its stage. But when the final curtain falls and the lights dim, it is said that not all who remain in the theater are among the living.

Devonshire Park Theatre via the Oast House Archives

The violinist from Titanic haunting the orchestra

For decades, whispers have swirled about a ghostly musician haunting the Devonshire Park Theater. Some claim to have seen a man dressed in a white tie and tails, standing silently in the orchestra pit or sitting among the stalls, with his instrument gently resting on his chin. The figure, delicately shimmering in the dim airy, is said to disappear when you look twice.

Reports of this ghostly violinist date back to the 1960s and 1970s, when staff and guests alike described fleeting glimpses of his presence during rehearsals and nightly performances. Although sightings have become less repeated in recent years, those who have experienced hauntings report a deep sense of melancholy that seems to hang in the air when the mysterious music begins.

For a time, locals believed that the apparition was none other than John Wesley Woodward, the heroic cellist on the Titanic who famously played when the ship sank in 1912.

John Wesley Woodward: (September 11, 1879 – April 15, 1912) was an English musician. Born in West Bromwich. A memorial plaque to Woodward was erected on the promenade in Eastbourne, depicting the sinking Titanic.

In Eastbourne he played cello both at the Grand Hotel and in the local orchestra. While in Eastbourne he joined the White Star Line musicians who played on transatlantic ships. On April 10, 1912, he boarded the RMS Titanic at Southampton for his maiden transatlantic voyage. Five days later, on April 15, 1912, the ship hit an iceberg, and he and other musicians were still playing when the Titanic sank. According to some survivor accounts, their last tune was “Nearer, My God, To Thee”. All members of the band, including his friend Jock Hume, drowned and Wesley Woodward's body was never found.

The theory gained popularity due to Woodward's connections with Eastbourne, where a plaque on the bandstand commemorates him. However, investigators later discovered that the ghostly musician could not have been Woodward because the ghost was always described as a violinist, not a cellist.

So who is the specter haunting the Devonshire Park Theater?

Paranormal investigation in the theater

However, the mysterious violinist may not be the only ghost haunting the theater. According to a spokesman, several paranormal investigators stayed at their facility in 2005. According to a medium who visited and investigated with them, they believed that the spirit haunting the place may have been Murray King, an actor and licensee of the place from the slow 1800s to the 1930s. Could this also be the identity of the mysterious violinist?

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Paranormal Database – Eastbourne

The drowned boy and the ghosts haunting our theaters

Devonshire Park Theater – Wikipedia

John Wesley Woodward – Wikipedia

John Wesley Woodward Cellist from Titanic (victim)

Image Source: Pixabay.com

  • J.W.H

    John Williams is a blogger and independent writer focused on consciousness, perception, and human awareness, exploring topics such as dreams, intuition, and non-ordinary states of experience. Driven by a lifelong curiosity about the nature of reality and subjective experience, his perspective was shaped in part by structured study, including the Gateway Voyage program at the Monroe Institute. His writing avoids dogma and sensationalism, instead emphasizing critical thinking, personal insight, and grounded exploration. Through his work, John examines complex and often misunderstood subjects with clarity, openness, and an emphasis on awareness, choice, and personal responsibility.